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・ Where to Invade Next
・ Where to Look for Your Law
・ Where to Now St. Peter?
・ Where Tradition Meets Tomorrow
・ Where Trouble Sleeps
・ Where Troy Once Stood
・ Where Twilight Dwells
・ Where Our Love Grows
・ Where Pigeons Go to Die
・ Where Quality Is Job Number 1
・ Where Quantity Is Job Number 1
・ Where Rainbows End
・ Where Reincarnation and Biology Intersect
・ Where Rivers Meet
・ Where Shadows Lie
Where Shall I Wander
・ Where Shall You Take Me?
・ Where Silence Has Lease
・ Where Sleeping Dogs Lie
・ Where Sleeplessness Is Rest from Nightmares
・ Where Soldiers Come From
・ Where Spring Comes Late
・ Where the Action Is
・ Where the Action Is (Steve Alaimo album)
・ Where the Action Is Tour
・ Where the Air Is Clear
・ Where the Ancestors' Souls Gathered
・ Where the Arches Used To Be
・ Where the Bears Are
・ Where the Beat Meets the Street


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Where Shall I Wander : ウィキペディア英語版
Where Shall I Wander

''Where Shall I Wander'' is a 2005 poetry collection by the American writer John Ashbery. The title comes from the nursery rhyme "Goosey Goosey Gander". It is Ashbery's 23rd book of poetry and was published through Ecco Press. It was a finalist for the National Book Award for Poetry.
==Reception==
David Herd reviewed the book for ''The Guardian'', and called it "a treat". Herd wrote: "The cast of characters is large, and their lives are sad and funny. ... What flow through the poems all the time, forming them and breaking them up, are the conflicting voices of 21st-century America: the cheering ones, the demoralised ones, the soulless ones, the coercive ones." The review ended: "The way Wordsworth courted nature, Ashbery courts life, cajoling it, snaring it, coaxing it into being. ''Where Shall I Wander'' is a bulletin, breaking news from the American present, to which Ashbery, again, is a humane and faithful guide." In ''Publishers Weekly'', the book was compared to Ashbery's previous works: "This 23rd collection from Harold Bloom's favorite living American poet is a modestly scaled affair: it doesn't end with a grand long poem, which has become an Ashbery trademark since ''Rivers and Mountains'', nor is it especially big like ''Can You Hear, Bird'' nor does it even contain many poems that extend more than three pages (the title poem, at seven pages, is the longest)." The critic wrote that what Ashbery accomplishes with the book, is that he provides the reader "with the experience of terrible ''encounter'' in the comfort of our own poem, one that we can choose to occupy for years, even after discovering the beating heart under the floorboards."

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